Selwa Abd (Bergsonist) is a Moroccan-born, New York–based interdisciplinary artist, composer, and design researcher whose practice spans sound, performance, and time-based media. 
A recipient of the Issue Project Room Residency (2022), the Harvestworks Technology Immersion Program Grant & Fellowship (2022), the Jerome Hill Artist Alternate Award (2023), the NYFA x Mayor's Office of Media and Entertainment Women Fund Grant (2024), and the NYSCA x Roulette Artist Grant (2025), her work has been presented at MoMA PS1, Roulette, Moogfest, EKKO Festival, Mutek Festival, Sonic Acts Festival, Batalha Centro de Cinema, Amant and The Brooklyn Film Festival. Her practice has been recognized by The Washington Post, BOMB Magazine, GQ, Resident Advisor, Mixmag Mena, NPR and Artforum

Her work engages the reconfiguration of archival material — found sounds, processed sounds, and live video — into immersive audiovisual environments. Drawing on electroacoustic and musique concrète traditions and informed by Gilles Deleuze's interpretation of Henri Bergson, she employs electronics, DIY instruments, and granular and spectral techniques to examine postcolonial identity, techno-futurism, and the psychological effects of virtuality in contemporary culture. 

Intuition serves as both a critical and operative framework throughout her practice. In performance, her work blurs distinctions between the real and the virtual, proposing speculative temporalities while confronting the tensions of the present.

Her recent projects 
— including ASL أصل ⴰⵙⵍ and As If Reality — expand her sonic practice into more complex archival and visual frameworks, drawing on her background in design. 
She has collaborated extensively across contemporary art and experimental music contexts, and has produced remixes for artists including Depeche Mode. 

Her discography spans over a decade, comprising more than 7 albums, 15 EPs, and numerous featured releases on labels including Optimo Music, Columbia Records, Dark Entries and Tresor Records.

Abd is equally committed to community infrastructure and curatorial work. She is the founder of Pick Up The Flow, an NYC-based community resource for artists, and BIZAARBAZAAR, an independent publishing imprint. 

She has been an NTS Radio DJ resident since 2018 and has curated music and events for projects including 3afak and various label compilations. She has also hosted and produced the PUTF podcast, featuring interviews with artists, curators, and creatives. Her curatorial practice is an ongoing and integral dimension of her work.

She has been invited to speak about her practice at Moogfest, MoMA PS1, and New Inc’s Demo Festival, and has served as a guest in classes at The New School, CalArts, and Pratt.

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@bergsonist
@selwaabd






             


    




















File Not Found, 2016

A research project investigating the long-term reliability and stability of digital networks, and the ephemerality of the URL as a unit of existence.


File Not Found, 2016



As technology accelerates, the compatibility between storage systems and the networks that connect them grows increasingly fragile. Our digital existence is, by nature, temporary. File Not Found takes this premise as its starting point — examining the ephemerality of the URL and developing experimental methods to materialize it in the analog environment.

The project's first iteration is a sound performance that sonifies malicious URLs, allowing banned and dead virtual content to "infect" physical space. Expelled from the internet, these URLs bounce through the room as sound — no longer dormant in the cloud, but regenerated as part of reality, enveloping the audience in a state of perceptual confusion. In performance, sound and audience merge into a single sonic event, collapsing the boundary between the digital and the physical.

The performance is accompanied by a collection of printed books, deliberately independent of digital archiving technology. Each book uses the page as a surface for infection — the URLs reclaim their materiality through print, existing outside the systems that once hosted and ultimately erased them.



Presentations




Photography by Fan Chen, 2016




Book Display, 2016


Live Performance Documentation, The New School, 2016