Selwa Abd is a Moroccan-born, New York–based interdisciplinary artist, composer and design researcher working under the alias Bergsonist. 
Her practice engages 
time-based media, sound, and performance, focusing on the reconfiguration of archival material –found sounds, processed sounds, and live video– into immersive audiovisual environments. 

Drawing on electroacoustic and musique concrète traditions, and informed by Gilles Deleuze’s interpretation of Henri Bergson, her work employs electronics, DIY instruments, granular and spectral techniques to examine postcolonial identity, techno-futurism, and the psychological and perceptual effects of virtuality in contemporary culture.

Her methodology foregrounds intuition as a critical and operative framework through which these inquiries are developed.
In performance contexts, her work blurs distinctions between the real and the virtual, proposing speculative temporalities while confronting the tensions of the present. 
Drawing on her design background, she complements her sonic tapestry by creating more complex archival frameworks, as seen in her latest projects such as ASL and As If Reality.

Abd has collaborated extensively with artists across contemporary art and experimental music contexts. Her compositions have been presented in contemporary art exhibitions and institutional settings, and she has produced remixes for musical artists, including Depeche Mode.

With a career spanning over a decade, she has been invited to speak about her practice and community projects, as well as to serve as an interviewer following her work on the PUTF podcast, on panels in NYC including Moogfest, MoMA PS1, and New Inc, and in classes at The New School, CalArts, and Pratt.

She has curated musical and non-musical events for projects such as Bizaarbazaar, Pick Up the Flow, and 3afak, as well as for compilations she/other labels have released. Her curatorial work is an ongoing and integral part of her practice, often operating quietly in the background.

She is a recipient of the NYSCA x Roulette Artist Grant (2025), NYFA x Mayor's Office of Media and Entertainment’s Women Fund Grant (2024), The Jerome Hill Artist Alternate Award (2023), the Issue Project Room Residency (2022) and Harvestworks Technology Immersion Program Grant & Fellowship (2022).

Selwa has shown works at MOMA Ps1, Roulette, Moogfest , National Sawdust, EKKO Festival, Mutek Festival, Sonic Arts Festival, Issue Project Room x The Center for Performance Research, Basilica Hudson, Fridman Gallery, The James Gallery, 47 Canal, Batalha Centro De Cinema and The Brooklyn Film Festival to name a few.

Selwa has earned recognition from outlets including The Washington Post, BOMB Magazine, GQ, Resident Advisor, Mixmag Mena, NPR and Artforum
Her discography spans over a decade, including more than 7 albums, 15 EPs, and countless featured tracks on various compilations.
Her music has been released on labels such as Optimo Music, Columbia Records and Tresor Records, and a forthcoming album on Dark Entries.

Selwa is the founder of the NYC based community resource Pick Up The Flow and the publishing imprint BIZAARBAZAAR
She's been a NTS Radio DJ resident since 2018.


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ASL أصل ⴰⵙⵍ, 2025

ASL أصل ⴰⵙⵍ is Selwa Abd’s new multimedia archival project that delves into ancestry and Amazigh heritage. 

The first audiovisual iteration premiered at Roulette on September 18. Commissioned by Roulette and supported by the New York State Council on the Arts, the work emerged from Selwa’s recent journey to Morocco, where she visited her great-grandfather’s village near Errachidia in the southeast of Morocco. From this experience, she began building a visual and sonic archive that she now seeks to expand into new contexts. Some fragments from ASL’s visual archive can be explored here. Concert review by “I Care If You Listen” (by American Composers Forum).

 

The project’s second iteration materialized as a CD album, made possible through the support of The NYC Women’s Fund for Media, Music and Theatre. This initiative was facilitated by the City of New York Mayor’s Office of Media and Entertainment in association with The New York Foundation for the Arts.



ASL أصل ⴰⵙⵍ CD Album, 2025
Liner Notes by Rob Goyanes:
The origins of things are almost always blurry. The Arabic word for “origin” is أصل, which transliterates roughly as “ASL.”
In the language of the Amazigh people, who are indigenous to North Africa, it's written as ⴰⵙⵍ. Selwa Abd’s project, taking these words as its title, is an exploration of her own Amazigh origins in Morocco 
(Amazigh means “free people”). 
Born in 1992 in Casablanca, and living in New York since 2010, Abd’s musical practice hinges on electroacoustic experimentation and 
rhythm-based electronic music. 
Over the last few years, she’s expanded into multimedia formats, and started digging deeper into post-colonial history and identity. ASL أصل ⴰⵙⵍ is her most personal project yet—pulling material from recent visits to her ancestral village in Errachidia, a region in southeastern Morocco, Abd fuses musical traditions and speculative sonics. 

Abd captured field recordings during these visits, which include “conversations with people in the village, walks in the souk, the ambient sounds of an oasis near the Sahara dunes, and the sounds of stones in the quarry where my father once worked,” Abd says. 
Her father’s father was a big inspiration for this project as well. A trade unionist who helped organize mine workers and electricians in Morocco—labor struggles were crucial in the resistance to French colonialism—he worked to establish training centers, healthcare units, and social housing. Abd’s grandmother, the matriarchal core of the family, is also a significant presence in the project: the sounds of some of her inherited instruments can be heard on these recordings. 

ASL أصل ⴰⵙⵍ is a portrait of the Maghrebi soundscape, processed through Abd’s eclectic approaches to sound and composition. Voices from Abd’s field recordings are manipulated to create far-out textures. Acoustic samples of a bendir, a type of frame drum, and a qraqeb, a sort of iron castanet, can be heard on this CD, as well as the polyrhythmic rhythms found in North African musical traditions: Gnawa, which consists of religious chants, trance-inducing repetitions that can sometimes last for hours, and Chaabi, a popular folk music played at weddings and festivals. But rather than mere documentation of a place and its culture, Abd takes this material and pushes it into new spaces, showing that not only is the past a blurry thing, difficult to apprehend, but so is the future. Honoring her history as well as her own innovations in electronic music, Selwa Abd’s ASL أصل ⴰⵙⵍ is a bridge between what’s done and what’s to come. 

ASL أصل ⴰⵙⵍ CD Album, 2025  Art and Music by Bergsonist.



Video still from ASL أصل ⴰⵙⵍ, 2025



ASL, Live Audio Visual performance, Roulette, 2025


BTS of ASL, in Errachidia, Southern Region Of Morocco, 2025

Clip Used For Social Media Promotion, 2025
ASL Art Cover, Monoprint, 2025


3aqd, Mixed-Media Print, 2025
Fantasia, Mixed-Media Print, 2025
3ayn, Monoprint, 2025
Fibule, Monoprint, 2025










As If Reality, is a series of works initiated by Selwa during her Artist-In-Residence Program at ISSUE Project Room in collaboration with Harvestworks in 2022. 
The project draws inspiration from David Chalmers' book, Reality+: Virtual Worlds and the Problems of Philosophy, and follows a creative approach based on intuition and fragment-based systems. 
According to Chalmers, as the physical world deteriorates, virtual worlds will offer new landscapes and possibilities. However, Selwa wrestles with the repercussions of this growing reliance on virtual platforms for our planet. 
While she acknowledges the hopefulness in Chalmers' perspective, she is equally troubled by the ecological implications. This dichotomy, labeled as Opti-pessimism by Selwa and influenced by Henri Bergson’s philosophy, drives her to confront audiences with conflicting realities, prompting them to contemplate the future of humanity amidst planetary decline.

Selwa's latest works aim to build sonic and visual worlds as simulations that extend creative research and speculations on the future. Her focus is on utilizing fragments and intuition conceptually to alter the scales of perception and better understand the sonic and visual mediums. These explorations of fragments exist within the tensions between the actual and virtual, which have become a hallmark of the "Bergsonist" project.


As If Reality Part I  | June 10, 11, 2022
Diptych composition comprising a 9-minute video art piece showcasing footage from Governors Island, along with 3D fragments created by Selwa. 
The accompanying sonic composition features sounds recorded on Governors Island. The other half of the diptych composition is a 23 minute live performance on Governors Island, using sounds from the environment to immerse the audience in a physical representation of As If Reality.
Taking inspiration from musique concrete and electronic music, Bergsonist harnesses found sound as raw energy, manipulating and decontextualizing it before merging it with artificial sounds generated by constrained algorithms. This process was repeated in different environments to create a new body of work that simulates immersive experiences. The performance took place within Harvestworks Art and Technology Program Building 10a at Governors Island. Link







As If Reality Part II | November 4, 2022
Multimedia audio-visual performance showcasing 3D & designed objects, 360 video projections, and a live sonic and visual score performed by Selwa Abd. 
Selwa developed the piece during her 2022 residency with the ISSUE Artist-In-Residence Program, in collaboration with Harvestworks and Center for Performance Research. This latest iteration builds upon previous presentations of As If Reality, it features 360 footage and visual fragments captured during Abd's travels in Morocco in the summer of 2022.
Video production support:
Greg Zifcak (Wavdwgs)
Link








As If Reality | Album | May 25th, 2024
This album was supported by a grant from the Jerome Foundation and builds on the works Selwa created during her Artist-In-Residence Program at ISSUE Project Room x Harvestworks in 2022.

Design: Gina Lee
Mastering: Loric Sih





















As If Reality Part III | Bergen, Norway | October 2024
In the fall of 2024, Bergen Senter for Elektronisk Kunst (BEK) invited Selwa for a residency in collaboration with EKKO. During the week-long residency, Selwa recontextualized her As If Reality project for the city of Bergen, culminating in a live audio-visual performance at EKKO Festival
At BEK, she focused on creating new electro-acoustic compositions, experimenting with BEK’ audio tools , recording underwater field sounds from the city’s piers, and manipulating visual footage captured during her outings. The resulting work drew also inspiration from TJ Demos’ book Radical Futurisms and reflected on the pressing political and climate challenges of our time. She also conducted a masterclass at BEK, where she presented her As If Reality series and shared insights into her creative processes and the outcomes of her residency.













As If Reality Part III at 22 Boerum Pl | ISSUE Project Room | February 6th, 2025
Selwa returned to ISSUE with a new iteration of As If Reality, a multimodal work-in-progress series first presented during her 2022 residency in collaboration with Harvestworks (and more recently recontextualized in Norway, last October). Footage and photography by Cameron Kelly McLeod courtesy of ISSUE Project Room.




















As If Reality Part III at Batalha Centro De Cinema, Porto | June 18th, 2025
As part of Câmara Sonica, Selwa presented her As If Reality A/V piece at Batalha, in a program curated by Diana Policarpo and João Polido.



As If Reality Part I, ISSUE Project Room, 2022


As If Reality Part I, ISSUE Project Room x Harvestworks x Governors Island, 2022



As If Reality Part II, ISSUE Project Room x Center for Performance Space, 2022





Design by Gina Lee





Still from the audiovisual project As If Reality, Norway, 2024


As If Reality Part III, ISSUE Project Room, 2025. Photography by Cameron Kelly McLeod.

As If Reality Part III, Batalha Centro de Cinema, Porto, 2025 (Excerpt here)



                                                                                                                                                                                                                                                          


Bergsonist, 2016-Present

Selwa started her Bergsonist project in 2014, 
a creative persona through which she explores and expresses her thoughts and emotions across multiple mediums, including sound design, visual art, design, writing, and activism. 

Bergsonist is recognized for her contributions to film scoring, soundtrack commissions for contemporary artists, and pop/ experimental music production. She has notably remixed tracks for several artists, including Depeche Mode.

In her sound performances, she crafts intuitive soundscapes by layering manipulated sonic fragments with acoustic sounds. Blurring the lines between reality and virtuality, she explores speculative futures within the tensions of the present. Her work draws influence from musique concrète, electro-acoustic music, sound art, and minimalism.

She often combines her design and visual art background to enrich her live performances, reflecting her dedication to crafting immersive speculative worlds influenced by the context and politics of the times.

In her music productions, she delves into a variety of styles, ranging from dance genres like minimal, techno, and electronica to experimental music and musique concrete. Her vocals frequently feature prominently in her songs. She often sings in french and darija (moroccan dialect).


Selected Press
2026 The Wire Tapper 70, Wire Magazine
2024 The Best Albums out of Nov. 22, NPR
2024   DeForrest Brown, Jr.’s Best music of 2024, Artforum 2024 The GQ Sound Survey, GQ Middle East
2024 Freedom and resilience theme..., Mixmag
2023 MoMA Ps1 Warm Up, Cultured Mag
2023 NYC DJs Cover Story, Cult Classic
2022 Jace Clayton’s Best Music of 2022, Art Forum
2022 NYC Artists Breaking Barriers (Internet Archive Link)| GQ Middle East
2021 Feature by Mark LeVine, Songlines
2020 Bergsonist's diary, The Washington Post
2020 A Guide To Bergsonist’s..., Bandcamp
2020 Breaking Through, Resident Advisor
2019 Bergsonist's Archive, Borshch Magazine
2018 Elaborate Intuition, Bomb Magazine
2017-2024 Various Features, The Wire



Selected Commissions
2025 100% Moroccan Music Mix for LeGuess Who
2025 Dance Performance for Nikhil Vettukattil’s Timepiece at MoMA PS1 (NYC)
2025 Live Performance at Mutek Festival (Montreal)
2025 Collaborative Performance with G. Zifcak, NoGlucose x Combo (Bologna)
2025 “As If Reality” A/V Performance, ISSUE Project Room (NYC)
2024 “As If Reality” A/V Performance, EKKO Festival (Norway)
2024 Live Performance, Printed Matter NYABF (NYC)
2024 Live Performance, National Sawdust
2023 Live Performance, MOMA Ps1 Warm Up
2023 Elaborate Intuition Mix, e-flux
2023 Depeche Mode Remix, Sony Records
2022  “As If Reality” A/V Performance, ISSUE Project Room
2022 Soundtrack Feature in Exhibition, Meriem Bennani
2022 Soundtrack Feature in Exhibition, Asif Mian
2022 Soundtrack Feature in Exhibition, Eva Davidova
2021 Song Feature in Compilation, Tresor Records
2021 Soundtrack Feature in Exhibition, Meriem Bennani
2020 Music Compositiong for Film, Samy Sidali
2020 Online Presentation A/V Piece “D’un Fragment a l’autre”, ISSUE Project Room
2019 Soundtrack Feature, Meow Wolf, Janelle Langford
2018 Songs Featured in Short Film, Boiler Room x Margot Bowman & Lynette Nylander


Awards
2025 NYSCA X Roulette Artist Grant
2024 NYFA x Mayor's Office of Media and Entertainment, Women’s Fund for Media, Music & Theater
2023 Jerome Hill Artist Alternate Award
2022 Harvestworks Grant & Fellowship
2020 Breaking Through of 2020, RA
2020 SACEM Grant
2019 Discover the 24 Future audio innovators selected by Holly Herndon, Shure x Mixcloud
2017 Self-Storage NYC Recipient, Flux Factory






Residencies
2024 Artist-In-Residence, Bergen Senter For Elektronisk Kunst x EKKO Festival
2022 Technology Immersion Program Fellow, Harvestworks
2022 Artist-In-Residence, ISSUE Project Room



Scoring
2020 “Jmar” Soundtrack, Samy Sidali (Mabel Films)



Guest Artist / Teaching 
2025 Emily Evans’s Class “Global Studios and Audiotopias”, Cal Arts (Fall 2025)
2024 Masterclass | Bergen Senter For Elektronisk Kunst
2024 Emily Evans’s Class “Global Studios and Audiotopias”, Cal Arts (Spring 2025)
2020 Raphael Griswold’s Class, Pratt Institute 
2019 Dafna Naphtali’s Class, The New School


Talks

moderator:
2025 Interview feat Laraaji at Dripping Festival
2025 Studio Demo, Demo Festival-New Inc, NYC
2024 PUTF interview series, Online

panelist:
2025  Panel on How To Find Music, Libera, NYC
2023 “Design w/GENG PTP”, Nowadays, NYC

2019 “New Media Communities In NY”, RA, NYC
2018 Panel by Emilie Friedlander, Moogfest, NC 



Selected DJ Sets
2026 Okeechobee Festival 2026, Florida
2026 Sonic Acts’s Biennial 2026, Amsterdam
2025 Dark Entries Record Shop Anniversary, SF
2025 Amant’s inaugural 6-9 series, NYC
2024 EKKO Festival, Norway
2022 Pioneer Works Software For Artist, NYC
2022 New Inc’s End Of Year Party, NYC
2022 Sustain-Release Festival, NYC
2021 4D Festival, Online
2019 Adidas x NTS x Room4Resistance, Berlin
2019 Moogfest Festival, NC
2019 Sonic Acts Festival, Amsterdam
2016 Discwoman 2 Year Anniversary, NYC



Albums
2026  Depths (Dark Entries)
2025  ASL أصل ⴰⵙⵍ  (Bizaarbazaar)
2024  Maghreb (Self-Released)
2024  As If Reality (Bizaarbazaar)
2023  Bergsonist (Self-Released)
2019   Middle Ouest (Optimo Music)
2017  From Dualism To Monoism (Clandestine)
2016  Moral (Always Human Tapes)



Selected Eps
2025  Ode To Life (Self-Released)
2024  Exploitation Occident
(Self-Released)
2024  Avant (Self-Released)
2022  Fasting (Self-Released)
2021  Virtualite (Self-Released)
2021  Toxic Materialism (Self-Released)
2019  Chaos (Borft Records)
2018  Heat (Optimo Music)
2018  Solyaris (Where To Now)
2017  Mutation (Styles Upon Styles)



Soundcloud  
NTS Radio Shows
Bandcamp

Mixcloud Archive







Portrait by Greg Zifcak, 2017


Original music for the film "Jmar", Samy Sidali, 2020


Official remix for Depeche Mode, 2023


Song commissioned by Tresor for their 30 year anniversary compilation, 2021





Soundtrack commissioned by Meriem Bennani for her show "Guided Tour Of A Spill", 2021


Soundtrack commissioned by Asif Mian for “Smokeless Fire”, 2022


A/V performance featuring Miho Hatori, commissioned by Roulette, 2023



Music composition for ISSUE project room, video by Greg Zifcak, 2020




Album “Depths” out on Dark Entries May 1st, 2026



                                                                                                                                                                                           





                        
Projects, 2010-Present

Pick Up The Flow, 2017-Present

Founded in 2017, Pick Up The Flow/PUTF 
is a resource-sharing platform aiming to democratize access to opportunities. Opportunity listings are shared daily via the website and Instagram page (weekly via the newsletter). 

The platform was initially designed to facilitate connections among musicians and creative people in NYC by offering a space to sell gear, share knowledge, post apartment listings, and more.
Currently, PUTF exists as an Instagram feed with over 57.5K+ followers, a website, a newsletter (average open rate: 69.4%), a private FB group (2.1K members) and an interview series.

Since its inception, PUTF has organized a range of events including workshops, radio broadcasts, and swap meets in response to the evolving dynamics of the music, art, and culture industries. The platform seeks to pave new paths forward through collective models of trust, both online and offline. PUTF’s mission is to promote access to resources and combat the dominant greed in the art and technology industry.

Selwa has contributed and continues to contribute to the visual identity and branding, as well as the curatorial program of PUTF.

Selected Clients: Queens Council On The Arts, Times Square Arts, The Joyce Foundation, Pepsico, Printed Matter, Inc, e-flux, The Laundromat Project, Institute For Studies On Latin American Art, Staten Island Arts, Mexican Summer, Apexart, Alfred University, Woodward Residency, Abrons Arts Center, Fractured Atlas, Something Special Studios, MIT Lab Poetic Justice, The American Trust for The British Library, Jeff Koons, Ethan James Green, Foundwork, Center for Book Arts, Children’s Museum of the Arts, Lighthouse Works, Lower Manhattan Cultural Council, Issue Project Room, Studio Museum In Harlem, Storefront for Art and Architecture and more.
 

Activities Timeline

2017: Hosted the first PUTF swap meet at 1090 Wyckoff Avenue
2018: Organized a series of Knowledge Swaps at Heck NYC
2018: Held Swap Meet #2 at Mood Ring
2019: Curated an entire room at MoMA PS1’s Record Fair, featuring a swap meet + mastering workshop with Josh Bonati
2020: Hosted an online talk on issues in the NY music community as part of MoMA PS1’s virtual fair
2023: Collaborated with PTP to organize a weeklong block market at 109 Montrose (formerly Lqqkstudio’s shop)
2025: Conducted an interview with Laraaji at Dripping Festival

Instagram feed, 2025
Pick Up The Flow’s official website 
Pick Up The Flow’s Substack




Interview of Laraaji at Dripping Festival, Courtesy of Dripping Festival, 2025
Interview of Laraaji at Dripping Festival, Courtesy of Dripping Festival, 2025







Bizaarabazaar, 2010-2021

In 2010, Selwa founded Bizaarbazaar, a not for profit and advertisement-free music platform that began as a blog, a sonic archive, and a hub for conceptual compilations

Her goal was to provide an alternative to the elitist music publications of the era and establish a platform for emerging and underrated musicians. The aim was to disrupt the established order and shape a fresh narrative. The project garnered momentum and earned acknowledgment from diverse music labels and cultural influencers within the industry.

Selwa contributed to the whole visual identity and curatorial program of the platform/label.

Bizaarbazaar's achievements have gained acknowledgment from various publications, including Wire, and its creations have found distribution through notable bookshops like Motto Books Berlin and Printed Matter NYC.

In 2021, Selwa decided to close the BB chapter, ending the blog and platform. However, she preserved its sonic archive on SoundCloud, documenting a decade (2010) of mixes and premiere features.
Initially, she considered compiling all the featured interviews into a zine as an archive but ultimately opted to document everything on the Instagram account instead.

In 2023, she revived the imprint side of bizaarbazaar, embracing a non-linear, free-form approach to releasing new music, with a focus on CD and digital distribution. She launched this new phase with NEXA, a CD by artist G. ZIFCAK, followed by her own album, As If Reality, in 2024.



T-shirt compilation for BB, 2019
Double cassette + Zine compilation for BB, 2017
Zine compilation for BB, Layout Design by Stephen Decker, 2017


Bizaarbazaar’s old blog/ platform hosted on Wordpress, 2012-2017
Double cassette + Zine compilation for BB, 2017
CD Bergsonist-As If Reality, 2024












File Not Found, 2016
File Not Found, 2016




File not found is a research project that investigates the long-term reliability and stability of our digital networks. As technology is changing at a faster pace than ever the compatibility between the container to store information and the connecting systems is continuously at stake. As a consequence, our digital existence is only temporary. File not found looks at the ephemerality of the url and investigates experimental ways to materialize it in our analog environment. The first approach of a series of events is a sound performance that “infects” the human habitat through the sonification of malicious URLs. Virtual content is exploited ‘in real life’, contained in one space, sound and the audience merge into one sonic event. Banned from the Internet, the malicious urls are bouncing randomly against the walls of the space. They are no longer dead in the immaterial matter called the cloud, but as they regenerate themselves they become part of reality, they embrace the audience while creating in them a sense of total confusion. The performance is documented in a collection of printed books which are independent of digital archiving technology. Each book uses the page as surface for infection; the urls find back their materiality through a process of infection.

This piece was presented as part of my thesis at Parsons (BFA Communication Design).
In 2017, file not found was featured in Self Storage NYC, an exhibition organized by Flux Factory.