Selwa Abd (Bergsonist) is a Moroccan-born, New York–based interdisciplinary artist, composer, and design researcher whose practice spans sound, performance, and time-based media. 
A recipient of the Issue Project Room Residency (2022), the Harvestworks Technology Immersion Program Grant & Fellowship (2022), the Jerome Hill Artist Alternate Award (2023), the NYFA x Mayor's Office of Media and Entertainment Women Fund Grant (2024), and the NYSCA x Roulette Artist Grant (2025), her work has been presented at MoMA PS1, Roulette, Moogfest, EKKO Festival, Mutek Festival, Sonic Acts Festival, Batalha Centro de Cinema, Amant and The Brooklyn Film Festival. Her practice has been recognized by The Washington Post, BOMB Magazine, GQ, Resident Advisor, Mixmag Mena, NPR and Artforum

Her work engages the reconfiguration of archival material — found sounds, processed sounds, and live video — into immersive audiovisual environments. Drawing on electroacoustic and musique concrète traditions and informed by Gilles Deleuze's interpretation of Henri Bergson, she employs electronics, DIY instruments, and granular and spectral techniques to examine postcolonial identity, techno-futurism, and the psychological effects of virtuality in contemporary culture. 

Intuition serves as both a critical and operative framework throughout her practice. In performance, her work blurs distinctions between the real and the virtual, proposing speculative temporalities while confronting the tensions of the present.

Her recent projects 
— including ASL أصل ⴰⵙⵍ and As If Reality — expand her sonic practice into more complex archival and visual frameworks, drawing on her background in design. 
She has collaborated extensively across contemporary art and experimental music contexts, and has produced remixes for artists including Depeche Mode. 

Her discography spans over a decade, comprising more than 7 albums, 15 EPs, and numerous featured releases on labels including Optimo Music, Columbia Records and Tresor Records, with a forthcoming album on Dark Entries.

Abd is equally committed to community infrastructure and curatorial work. She is the founder of Pick Up The Flow, an NYC-based community resource for artists, and BIZAARBAZAAR, an independent publishing imprint. 

She has been an NTS Radio DJ resident since 2018 and has curated music and events for projects including 3afak and various label compilations. She has also hosted and produced the PUTF podcast, featuring interviews with artists, curators, and creatives. Her curatorial practice is an ongoing and integral dimension of her work.

She has been invited to speak about her practice at Moogfest, MoMA PS1, and New Inc’s Demo Festival, and has served as a guest in classes at The New School, CalArts, and Pratt.

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@bergsonist
@selwaabd






             


    






















                                                                                                                                                                                                                                                   






ASL أصل ⴰⵙⵍ, 2025
ASL أصل ⴰⵙⵍ is an ongoing multimedia archival project tracing Amazigh heritage, ancestral memory, and postcolonial identity through field recordings gathered in Selwa Abd's great-grandfather's village in Errachidia, southeastern Morocco.

ASL أصل ⴰⵙⵍ has been supported by:
New York State Council on the Arts (NYSCA) x Roulette Artist Grant

NYC Women's Fund for Media, Music and Theatre (NYFA x Mayor's Office of Media and Entertainment)



ASL أصل ⴰⵙⵍ takes its title from the Arabic and Tamazight word for "origin" — أصل in Arabic, ⴰⵙⵍ in the script of the Amazigh people, indigenous to North Africa. The project began with Abd's return to her family's ancestral village near Errachidia, a region in southeastern Morocco where her family has lived for generations.

There, she gathered field recordings — conversations with villagers, ambient sounds from the region (a desert oasis near the Sahara dunes, a shrine and the sounds of stones from the quarry where her father once worked). 
She also documented inherited instruments belonging to her grandmother, the matriarchal core of the family. These recordings form the foundation of an expanding sonic and visual archive, developed across multiple formats and contexts.

The project is equally shaped by family history. Abd's grandfather was a trade unionist who organized mine workers and electricians during Morocco's resistance to French colonialism, helping establish training centers, healthcare units, and social housing. 
His legacy — alongside her grandmother's presence and her father's connection to the land — runs through the work as both subject and structural influence.

Rather than mere documentation, ASL أصل ⴰⵙⵍ pushes its source material into new spaces. Voices from the field recordings are manipulated into far-out textures. Acoustic samples of a bendir (frame drum) and qraqeb (iron castanet) appear alongside the polyrhythmic traditions of Gnawa and Chaabi music. The result is a portrait of her heritage filtered through Abd's electroacoustic practice — honoring a history while speculating toward a future.



Press

"Not only is the past a blurry thing, difficult to apprehend, but so is the future. Honoring her history as well as her own innovations in electronic music, Selwa Abd's ASL أصل ⴰⵙⵍ is a bridge between what's done and what's to come." — Rob Goyanes, CD Liner Notes

"ASL: صل ⴰⵙⵍ tells a genealogical story: not based on a linear chronology, but rather the way time folds in on itself to link the present to the past, demonstrating how present-day urban environments are shaped by a colonial past."
Donna Lee Davidson, I Care If You Listen (American Composers Forum)

"The intentionality of every aspect — from the foods to the excavation of the material to the meticulous orchestration of multiple mediums — makes this ongoing project both educational and enlightening, disorienting and clarifying, all while remaining wholly intriguing."
Donna Lee Davidson, I Care If You Listen (American Composers Forum)




Iterations

I. Live Performance: Premiered at Roulette, Brooklyn, NY — September 18, 2025 Commissioned by Roulette. Supported by the New York State Council on the Arts.
Concert review by “I Care If You Listen” (American Composers Forum)

II. CD Album: ASL أصل ⴰⵙⵍ, 2025 
Art and music by Bergsonist. Liner notes by Rob Goyanes. Made possible by the NYC Women's Fund for Media, Music and Theatre, facilitated by the City of New York Mayor's Office of Media and Entertainment in association with the New York Foundation for the Arts.




ASL أصل ⴰⵙⵍ CD Album, 2025  Art and Music by Bergsonist.











Alongside her archival work, Abd has pushed into digital image processing and DIY printing, generating visual fragments that deepen the project's material presence. She is now actively extending ASL across new performance contexts, residencies, and exhibition formats, growing the sonic and visual archive that took root in Morocco.




Fibule, Monoprint, 2025

Video still from ASL أصل ⴰⵙⵍ, 2025



ASL, Live Audio Visual performance, Roulette, 2025


BTS of ASL, in Errachidia, Southern Region Of Morocco, 2025

ASL Art Cover, Monoprint, 2025


 A series of monoprints and mixed-media prints developed alongside the project, including 3aqd, Fantasia, 3ayn, and Fibule.
Fantasia, Mixed-Media Print, 2025
3ayn, Monoprint, 2025
Fibule, Monoprint, 2025









As If Reality is a multimodal series exploring the tension between physical and virtual worlds, ecological decline, and speculative futures — developed across performance, installation, album, and international residency formats since 2022.

As If Reality has been supported by:
Issue Project Room Artist-in-Residence Program (2022)

Harvestworks Technology Immersion Program Grant & Fellowship (2022)

Jerome Foundation Grant (2024)

Bergen Senter for Elektronisk Kunst (BEK) / EKKO Festival Residency (2024)



As If Reality takes as its starting point David Chalmers' Reality+: Virtual Worlds and the Problems of Philosophy, which proposes that as the physical world deteriorates, virtual worlds will offer new landscapes and possibilities. 
Abd engages this thesis with both hope and unease, a position she calls Opti-pessimism, informed by Henri Bergson's philosophy of duration and intuition. The work confronts audiences with conflicting realities, prompting reflection on the future of humanity amid planetary decline.

The project draws on fragment-based systems and intuition as compositional methods, building sonic and visual worlds that function as simulations, altering scales of perception and extending creative research into speculative futures.

Initiated during Abd's Artist-in-Residence program at Issue Project Room in collaboration with Harvestworks (2022), the series has since expanded across five iterations on three continents.













Iterations:

Part I — Live Performance & Video Diptych Governors Island / Issue Project Room, NYC — June 2022

A diptych comprising a 9-minute video work featuring footage from Governors Island alongside 3D fragments, paired with a 23-minute live performance using environmental sounds to immerse the audience in a physical representation of As If Reality. Taking inspiration from musique concrète, Abd harnessed found sound as raw energy — manipulating and decontextualizing it before merging it with sounds generated by her synths. Presented at the Harvestworks Art and Technology Program, Building 10a, Governors Island. Link







Part II — 360° Audiovisual Performance Issue Project Room x Center for Performance Research, NYC — November 2022

A multimedia performance featuring 3D and designed objects, 360° video projections, and a live sonic and visual score. This iteration incorporated footage and visual fragments captured during Abd's travels in Morocco in summer 2022. Developed during her residency with the ISSUE Artist-in-Residence Program in collaboration with Harvestworks and the Center for Performance Research. Video production support: Greg Zifcak (Wavdwgs). Link













Album — As If Reality Released on BIZAARBAZAAR — May 2024

The album builds on the works created during Abd's 2022 residency at Issue Project Room x Harvestworks, supported by a grant from the Jerome Foundation. Design: Gina Lee. Mastering: Loric Sih.






Part III — Bergen, Norway Residency at Bergen Senter for Elektronisk Kunst (BEK) in collaboration with EKKO Festival — October 2024

Invited by BEK for a week-long residency, Abd recontextualized As If Reality for the city of Bergen — recording underwater field sounds from the city's piers, creating new electroacoustic compositions, and manipulating visual footage captured during her outings. The resulting performance at EKKO Festival drew additional inspiration from TJ Demos' Radical Futurisms, reflecting on the pressing political and climate challenges of our time. Abd also conducted a masterclass at BEK, presenting the full As If Reality series and sharing insights into her creative process.








Part IV — New York City Return performance at Issue Project Room — February 2025

A new iteration of As If Reality presented at ISSUE, incorporating material developed during the Bergen residency. Footage and photography by Cameron Kelly McLeod, courtesy of Issue Project Room.




















Part V — Porto, Portugal Batalha Centro de Cinema, as part of Câmara Sonica — June 2025. Curated by Diana Policarpo and João Polido.





As If Reality Part I, ISSUE Project Room (Streamed), 2022


As If Reality Part I, ISSUE Project Room x Harvestworks x Governors Island, 2022



As If Reality Part II, ISSUE Project Room x Center for Performance Space, 2022





Design by Gina Lee





Still from the audiovisual project As If Reality, Norway, 2024


As If Reality Part III, ISSUE Project Room, 2025. Photography by Cameron Kelly McLeod.

As If Reality Part III, Batalha Centro de Cinema, Porto, 2025 (Excerpt here)



                                                                                                                                                                                                                                                          


Bergsonist, 2014-Present

Bergsonist/Selwa Abd, 2014–Present

Selwa Abd began the Bergsonist project in 2014 as a creative practice through which she explores sound, visual art, design and writing across multiple mediums. Recognized for her contributions to experimental music, film scoring, and contemporary art contexts, her sound performances craft intuitive soundscapes by layering manipulated sonic fragments with acoustic sounds — blurring the lines between reality and virtuality, and exploring speculative futures within the tensions of the present.

Her work draws on musique concrète, electroacoustic music, sound art, and minimalism. Her music productions range across minimal, techno, and electronica to experimental and musique concrète forms. 
Her vocals feature prominently throughout, often sung in French and Darija (Moroccan dialect).



Awards & Grants

YearAward
2025NYSCA x Roulette Artist Grant
2024NYFA x Mayor's Office of Media and Entertainment, Women's Fund for Media, Music & Theater
2023Jerome Hill Artist Alternate Award
2022Harvestworks Grant & Fellowship
2020SACEM Grant
2020Breaking Through of 2020, Resident Advisor
2019Shure x Mixcloud — 24 Future Audio Innovators (sel. Holly Herndon)
2017Self-Storage NYC Recipient, Flux Factory


Residencies

YearProgram
2024Artist-in-Residence, Bergen Senter for Elektronisk Kunst x EKKO Festival
2022Technology Immersion Program Fellow, Harvestworks
2022Artist-in-Residence, Issue Project Room



Selected Commissions & Performances


2026

2025

2024

2023

2022

2021

2020

2019

2018



Discography

Albums
YearTitleLabel
2026DepthsDark Entries
2025ASL أصل ⴰⵙⵍBizaarbazaar
2024MaghrebSelf-Released
2024As If RealityBizaarbazaar
2023BergsonistSelf-Released
2019Middle OuestOptimo Music
2017From Dualism To MonoismClandestine
2016MoralAlways Human Tapes

Selected EPs

YearTitleLabel
2025Ode To LifeSelf-Released
2024Exploitation OccidentSelf-Released
2024AvantSelf-Released
2022FastingSelf-Released
2021VirtualitéSelf-Released
2021Toxic MaterialismSelf-Released
2019ChaosBorft Records
2018HeatOptimo Music
2018SolyarisWhere To Now?
2017MutationStyles Upon Styles


Selected Press

2026

2025

2024

2023

2022

2021

2020

2019

2018

2017–2024



Teaching & Talks


Guest Artist / Teaching
Talks — Moderator / Interviewer
Talks — Panelist


Selected Live DJ Sets



Listen


Soundcloud · NTS Radio Shows · Bandcamp · Mixcloud Archive













Portrait by Greg Zifcak, 2017


Original music for the film "Jmar", Samy Sidali, 2020


Official remix for Depeche Mode, 2023


Song commissioned by Tresor for their 30 year anniversary compilation, 2021





Soundtrack commissioned by Meriem Bennani for her show "Guided Tour Of A Spill", 2021


Soundtrack commissioned by Asif Mian for “Smokeless Fire”, 2022


A/V performance featuring Miho Hatori, commissioned by Roulette, 2023



Music composition for ISSUE project room, video by Greg Zifcak, 2020




Album “Depths” out on Dark Entries May 1st, 2026



                                                                                                                                                                                           





                        
Projects, 2010-Present

Pick Up The Flow, 2017-Present


Founded by Selwa Abd in 2017, 
Pick Up The Flow (PUTF) is a resource-sharing platform dedicated to democratizing access to opportunities in the music, art, and culture industries. What began as a space for NYC musicians and creatives to sell gear, share knowledge, and post listings has grown into a multi-channel community infrastructure operating both online and offline. 

PUTF's mission is to promote access to resources and combat dominant greed in the art and technology industry, building collective models of trust across its community.

Selwa continues to contribute to PUTF's visual identity, branding, and curatorial programming.


Platform

ChannelScale
Instagram57,500+ followers
Newsletter69.4% average open rate
Private Facebook Group2,100+ members
WebsiteDaily opportunity listings

Opportunity listings are shared daily via the website and Instagram, and weekly via the newsletter. The platform also hosts an ongoing interview series.




Activities & Events




Selected Clients & Partners

Queens Council on the Arts · Times Square Arts · The Joyce Foundation · PepsiCo · Printed Matter, Inc. · e-flux · The Laundromat Project · Institute for Studies on Latin American Art · Staten Island Arts · Mexican Summer · Apexart · Alfred University · Woodward Residency · Abrons Arts Center · Fractured Atlas · Something Special Studios · MIT Lab Poetic Justice · The American Trust for The British Library · Jeff Koons · Ethan James Green · Foundwork · Center for Book Arts · Children's Museum of the Arts · Lighthouse Works · Lower Manhattan Cultural Council · Issue Project Room · Studio Museum in Harlem · Storefront for Art and Architecture

Instagram feed, 2025
Pick Up The Flow’s official website 
Pick Up The Flow’s Substack




Interview of Laraaji at Dripping Festival, Courtesy of Dripping Festival, 2025
Interview of Laraaji at Dripping Festival, Courtesy of Dripping Festival, 2025







Bizaarabazaar, 2010-Present


Founded by Selwa Abd in 2010, Bizaarbazaar began as a not-for-profit, advertisement-free music platform — a blog, sonic archive, and hub for conceptual compilations

Its founding aim was to provide an alternative to the elitist music publications of the era, establishing a platform for emerging and underrepresented musicians, disrupting established hierarchies, and shaping a fresh cultural narrative.

The platform gained recognition across the music industry, earning acknowledgment from labels, cultural influencers, and publications including The Wire. Its releases found distribution through Motto Books Berlin and Printed Matter NYC. Selwa contributed to the full visual identity and curatorial programming throughout.


Timeline

2010 — Founded in NYC: Launched as a Wordpress blog offering an advertisement-free alternative to mainstream music media.

2010–2021 — Active Platform: Over a decade of mixes, premieres, interviews, and compilation releases. Archive preserved on SoundCloud and Instagram.

2021 — Platform Closure: Selwa closed the blog and platform chapter, preserving the full sonic archive on SoundCloud and documenting the platform's history on Instagram  

2023 — Imprint Revival: Bizaarbazaar returned as a music imprint, embracing a non-linear, free-form approach to releasing new music with a focus on CD releases and digital distribution. Launched with NEXA, a CD by G. Zifcak.

2024 — As If Reality: Selwa's own album As If Reality released on Bizaarbazaar, supported by a Jerome Foundation grant.

2025 — ASL أصل ⴰⵙⵍ : Selwa's most recent album released on Bizaarbazaar.


Archive & Distribution



T-shirt compilation for BB, 2019
Double cassette + Zine compilation for BB, 2017
Zine compilation for BB, Layout Design by Stephen Decker, 2017


Bizaarbazaar’s old blog/ platform hosted on Wordpress, 2012-2017
Double cassette + Zine compilation for BB, 2017
CD Bergsonist-As If Reality, 2024












File Not Found, 2016

A research project investigating the long-term reliability and stability of digital networks, and the ephemerality of the URL as a unit of existence.


File Not Found, 2016



As technology accelerates, the compatibility between storage systems and the networks that connect them grows increasingly fragile. Our digital existence is, by nature, temporary. File Not Found takes this premise as its starting point — examining the ephemerality of the URL and developing experimental methods to materialize it in the analog environment.

The project's first iteration is a sound performance that sonifies malicious URLs, allowing banned and dead virtual content to "infect" physical space. Expelled from the internet, these URLs bounce through the room as sound — no longer dormant in the cloud, but regenerated as part of reality, enveloping the audience in a state of perceptual confusion. In performance, sound and audience merge into a single sonic event, collapsing the boundary between the digital and the physical.

The performance is accompanied by a collection of printed books, deliberately independent of digital archiving technology. Each book uses the page as a surface for infection — the URLs reclaim their materiality through print, existing outside the systems that once hosted and ultimately erased them.



Presentations




Photography by Fan Chen, 2016




Book Display, 2016


Live Performance Documentation, The New School, 2016