Selwa Abd aka Bergsonist is a Moroccan-born, New York–based multimedia artist, composer, performer, and design researcher whose work is informed by media theory. Her interdisciplinary practice spans live performance, sound composition, video, installation, and recorded music.

A recipient of the Issue Project Room Residency (2022), the Harvestworks Technology Immersion Program Grant & Fellowship (2022), the Jerome Hill Artist Alternate Award (2023), the NYFA x Mayor's Office of Media and Entertainment Women Fund Grant (2024), and the NYSCA x Roulette Artist Grant (2025).  Her work has been presented at MoMA PS1, Roulette, Moogfest, EKKO Festival, Mutek Festival, Sonic Acts Festival, Batalha Centro de Cinema, Amant and The Brooklyn Film Festival. Her practice has been recognized by The Washington Post, BOMB Magazine, GQ, Resident Advisor, Mixmag Mena, NPR and Artforum

Her work engages the reconfiguration of archival material — found sounds, processed sounds, and live video — into immersive environments and recorded music. Drawing on electroacoustic and musique concrète traditions and informed by Gilles Deleuze's interpretation of Henri Bergson, she employs electronics, DIY instruments, and signal processing (granular and spectral techniques) to examine postcolonial identity, techno-futurism, and the psychological effects of virtuality in contemporary culture.

Intuition serves as both a critical and operative framework throughout her practice. Alongside her artistic work, she maintains a research interest in media theory, using sound as a lens for examining how time, memory, and perception are mediated in contemporary technological culture.

In performance, her work blurs distinctions between the real and the virtual, proposing speculative temporalities while confronting the tensions of the present.

Her recent projects — including ASL أصل ⴰⵙⵍ and As If Reality — expand her sonic practice into more complex archival and visual frameworks. 
She has collaborated extensively across contemporary art and experimental music contexts, and has produced remixes for artists including Depeche Mode. 

Her discography spans over a decade, comprising more than 7 albums, 15 EPs, and numerous featured releases on labels including Optimo Music, Columbia Records, Dark Entries and Tresor Records.

Abd is equally committed to community infrastructure and curatorial work. She is the founder of Pick Up The Flow, an NYC-based community resource for artists, and BIZAARBAZAAR, an independent publishing imprint. 

She has been an NTS Radio DJ resident since 2018 and has curated music and events for projects including 3afak and various label compilations. She has also hosted and produced the PUTF podcast, featuring interviews with artists, curators, and creatives. Her curatorial practice is an ongoing and integral dimension of her work.

She has been invited to speak about her practice at Moogfest, MoMA PS1, and New Inc’s Demo Festival, and has served as a guest in classes at The New School, CalArts, and Pratt.

She holds a BFA in Communication Design from Parsons School of Design 
(The New School).



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Collaborative Projects, 2023-2026
Selwa has collaborated on three distinct projects to date:


9ra9eb, with G. ZIFCAK, 2026
9ra9eb is an ongoing collaboration with artist Greg Zifcak which was performed twice so far at Light Sound & Design (Brooklyn, NY) and In The Back (Brooklyn, NY). 

The piece centers on the sounds of the qraqeb (a Gnawa metal instrument) captured and transformed through a live feedback loop: Selwa records the qraqebs in real time, processing and reorganizing the sound for diffusion, while Greg uses his Serge synthesizer to drive a transducer placed against the instruments, causing them to vibrate and sound on their own. Selwa and Greg then record and further process that generated sound, closing the loop. The piece also incorporates a custom-built instrument, fitted with contact mics and an amplifier, designed to amplify and capture sound directly from the performance surface.


Footage courtesy of Maxine.


Footage courtesy of Maxine.








Tri-node System, with Jon Leidecker, Dafna Naphtali and Eva Davidova, 2026
Tri-node System was part of a new iteration of Audience As The Virus, a 2026 multimedia series by artist Eva Davidova, which was presented at ISSUE Project Room. More can be found here

Davidova invited Selwa to direct the piece's musical dimension, and Selwa developed an interactive score for it, with support from the Foundation for Contemporary Arts. The music takes the form of a live tri-node processing network among Selwa Abd, 
Jon Leidecker (Wobbly), and Dafna Naphtali, built around a shared audience microphone. That audience signal is sent to all three performers to process. Dafna performs with her own mic as well, processing its signal for her own speakers, while sending its unprocessed feed to Jon and Selwa, who each process both the audience mic and Dafna's mic independently for their own speakers. The result is a three-channel diffusion of sound sourced from the audience and continuously reshaped by each node in the network.

Selwa‘s audio processing audio documentation:


























Coins, with Miho Hatori, 2023
Coins is an audio-visual performance created by Hatori and Selwa premiered at Roulette Intermedium (as part of the mixology festival) in Brooklyn, New York, on February 4, 2023. 
The piece imagines the currency and economy of an alternate world, translating that concept into sound and image. 
For the piece, Miho and Selwa designed a series of imaginary coins, projected during the performance.



9ra9eb setup, 2026




Footage courtesy of SGP.








Initial layout imagined by Selwa, 2026



Tri-node system score by Selwa, 2026
Dafna live processing, 2026
Selwa live processing, 2026
Wobbly live processing, 2026




Full documentation of Eva Davidova’s multimedia performance, courtesy of Eva Davidova and ISSUE Project Room, 2026